Code/Art Shirt and Event Materials


For the 4th annual Code/Art Miami event, non-profit client Code/Art wanted a new design for their participant and volunteer shirts. Previously I had made a series of pins and stickers using small icons, but for this project we created a larger Code/Art constellation design in 3-colors that could easily be printed on two different t-shirt colors (purple for participants, teal for volunteers).

Code/Art t-shirt design with a girl throwing code snippets into the sky to form a Code/Art constellation.

The t-shirt features a girl throwing code snippets into the sky to form a Code/Art constellation. Printed at Custom Ink, the design was arranged so that each color on the purple shirt translated directly to a color on the teal shirt to keep costs low on printing materials and time.

Code/Art participant shirt in lilac.

Over the last two years I had designed a series of enamel pins and decals/stickers that were given out to participants. These assets were leveraged internally to create a cohesive look for their events – a strong example of how using a few elements consistently can go a long way in creating a recognizable brand look.

Code/Art event participants and teachers.

Because I still love me a good enamel pin collection, here is a repost of the series of enamel pins and stickers created over the course of a few mini-projects. These were designed for Code/Art participants – girls in their tweens and teens who explore code through art & creativity in guided Code/Art workshops. Read more about Code/Art on their website.

Enamel pin trio: 01100111010111 code sunglasses (cool shades), a </> heart, and code girl banner.” class=”wp-image-8341″/></figure>



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Code/Art donor pin inspired by participant art - featuring a constellation portrait of a young girl.
Girls in STEAM - Code/Art participants and teachers work on projects and take pictures in front of their photo booth.

Les Filles Forte


Frame series of pink and reflect blue illustrations in ballpoint ink / sketched digital pencil. Several women dancing and stretching, a trapeze artist, F is for Femme, and two woman supporting each other.

Learning new tricks is hard for old dogs, but recently I’ve been working more on my iPad Pro to integrate drawing on it into my design process. This series was testing out different brushes (finally settled on….regular old pencil) while also working on figure drawing skills. The sketches were then colored and adjusted in Photoshop.

I have yet to break out of the box on the iPad and draw on it differently than I do on paper; I still tend to use all the techniques I used when I drew in real life and had to scan all the parts to create the digital image. It might take a while before I can shift my mindset to a totally digital drawing workspace…now let’s just hope Google Translate did me right on the French translations.

Les Filles Forte – The Strong Girls
Quatre Femmes – Four Women
Aider les Autres – Help Others
Bonne Force – Good Strength

Pink and reflex blue artwork: Les Filles Fortes is French-inspired signage lettering, hand drawn on an iPad pro.
Pink and reflex blue artwork: four female figures stretching and dancing, wearing dots and stripes.
Pink and reflex blue artwork: two women supporting each other, with lots of sketched texture in their hair buns. F is for Femme (vintage drop cap) and a polka dot bow.
Pink and reflex blue artwork: a trapeze artist swings above the net, wearing a striped unitard. Bonne force.

Naia Gelato Cup Packaging


Long term client and collaborator, Gelateria Naia, has extended their gelato and sorbetto into a new format – the 14oz small tub. On this project, their signature orange was used as a background for the color-coding used on each flavor. Presented mostly in a top down freezer in grab-and-go areas, having a strong color presence on the lid was integral.

A major update / minor evolution to this brand was shifting their name on the packaging from Bar Gelato by Naia (also their namesake and inaugural product) to just Naia. Originally Bar Gelato made sense because it was their only product. However with the addition of sorbetto to the line-up, food regulations and approval got trickier with how the brand name only accurately described part of their product line. With this most recent packaging, Naia takes the lead as the brand name, and sorbetto and gelato can be used as the product identifier. Hierarchy on packages is critical for both the consumer, stocker, and fulfilling legal requirements. Pistachio is shown here because it’s my favorite flavor.

From a production standpoint, the cup was designed to be a standard issue brand orange with universal information, with a white scalloped template area into which a circular sticker could be placed to differentiate flavor. This type of design works well for product lines where it is hard to predict exact quantities of specific flavors, where flexibility in quantity/distribution of flavors is key, and when very small runs of speciality flavors are common. Naia often produces seasonal or specialty flavors, always experimenting with local producers to find nuanced and specific flavors. The rim of the cup was also a universally produced element, while the top of the lid was custom to each flavor.

A series of icons associated with each flavor has been used across many of Naia’s products, so they were employed again to provide a subtle indicator of the simple and pure ingredients. The custom lettered blocky font previously used in the logotype is now the headliner, providing some visual crossover recognition, as consumers were used to seeing BAR GELATO large and in charge on the previous packaging. And now, for a National Geographic-esque photo of a herd of gelato/sorbetto migrating across the icy plains of your nearest Whole Foods freezer case.

Tofurky Lettering


After the first round of brand lettering done in 2016 went over well and was used extensively, Tofurky requested another batch of phrases to be illustrated to build out their brand assets even further. While a variety of lettering styles is represented, two main goals of this series was to have some consistent details throughout and have each phrase take up about the same proportion of space so they were easy to use in groups or in similar areas of packaging, POS, and other areas of branding.

Let's Yum This Thing - rallying cry in hand lettered typography for Tofurky.
Quartet of hand lettered phrases: taste bud high five, pickle's plus one, say yum, and up with flavor.
Yum For All hand lettering.
A Bun's Best Friend and Fork Friendly banner hand lettered phrases.
Small hand lettering bits and pieces: chomp chomp chomp, munch munch, takes yum to know yum, best friend of the tastebud, and friendliest food on the plate.

Born to Bake Book Cover


Over the years I have done many projects and non-projects with my intrepid foodie friend, Jen Stevenson. From her first guidebook and blog, to watching her become an award winning author for The Picnic and The Campout, we have eaten our way through a decade of friendship.

On the side, Jen churns out young adult literature and publishes them as e-books – the latest being Born to Bake, a story about a teen who enters a baking competition to earn money to go to culinary school in France. To add another book collaboration under our belts, I created the cover for it. Bake it ’til you make it!

Holiday Gift Wrap AKA Pattern Palooza!


It’s that time of year again! The time when Danes, half-Danes, quarter-Danes and honorary-Danes go deep into Danish Christmas traditions, as previously documented here, here, here and here.

This year is extra special because I had the opportunity to design some scandinavian-inspired promotional gift wrap paper in collaboration with Laura Luethje from West Coast Paper Solutions and Randy Murray from Brown Printing. So without further ado…

Four rolls of West Coast Paper and Brown Printing collaboration on holiday promotional gift wrap.

Red ribbon and silver snowflake flurry gift wrap paper patterns.

To create a series that was Christmasy without being too over the top, I opted for some patterns that kept it classy – abstract red ribbons and a snowflake flurry. On the back a tiered landscape of wintertime activity is revealed in tonal grays with pops of red, making it easy to mix and match between the three designs.

Tonal gray gnome village pattern with scenes from winter.

Red ribbon and silver snowflake flurry gift wrap paper patterns, along with gnome winter landscape in tonal grays.

Gift wrap patterns on presents: red ribbons, silver snowflakes and tonal gray gnome villages.

The WCP holiday wrap promo happens every year, and this year I was lucky enough to have Laura ask if I would create the designs. While West Coast Paper donated paper and I donated design, Brown Printing donated printing for a final product of two 2-sided promotional sheets produced on 70# Titan Dull Text.

As a bonus, I slipped a non-holiday side onto one of the sheets. Hand drawn with black ink and digitally colored, the feather pattern is an excerpt of a twelve feather series from a few years ago. Hopefully it gives the gift wrap a life past December.

Illustrated feather hand drawn gift wrap pattern or wallpaper.

Illustrated feather pattern gift wrap with watercolor specs.