Monster Mollie is my sister, and I made her this monster portrait for her birthday. Dark brown hair and piercing blue eyes (with an extra eye added just for good all-seeing measure) sit above her bear trap chompers. Don’t want to get in the way of those while she’s arguing or going for the last slice of pie.
Monster Mollie measures 5.5 x 7.5 inches and was made using 39 cent felt squares, stuffed animal eyes and faux fur fabric wrapped around the back/stand portion of IKEA’s Ribba picture frame. The stand was left over from my original monster portraits, which only used the frame portion.
As a follow up to the business cards I designed for Jelly Helm Studio, here are some additional cards that show a little bit about how the studio approaches things. All of the cards were letter pressed on cream colored Neenah Classic Crest #165 cover.
Good questions.
The cards were printed at Brown Printing, where they were very helpful in trying out an unusual combination of printing techniques: first embossing (raising) the paper in a tree shape, and then letter pressing text (pushing the paper down) on top of the tree shape. For all that pushing and pulling of paper with the text being pressed into both the tree and non-tree area, it turned out pretty well.
A very advanced "who, what, where, when, how" diagram.
My favorite of the three cards is this reproduction of a diagram by Joseph Campbell. Wikipedia says “…his work is vast, covering many aspects of the human experience”. No small task to fit onto a 1.75×3 inch card, even with some rejiggering on our end so the large original diagram translated well to a tiny version of itself.
Earlier in the year I had the pleasure of meeting some new designer acquaintances who were on a travel adventure across the USA. When Nathan Strandberg and Katie Kirk of Eight Hour Day made a stop in Portland, we bonded over our chocolate labs on a rainy day spent walking the dogs at Thousand Acres on the Sandy River Delta.
Eli: no mischief here, no sir, not at all.
While the Northwest weather may have driven Nathan and Katie on to their next destination with haste, their pup Eli and my pup Lucy didn’t seem to mind the rain, mud and driving wind that makes Portland fall something special. Those labs seem to have an unwavering love for life that shines thru so clear that it makes it easy to put up with some of their eccentricities.
Lucy: the face that could trick you into just about anything.
So when Katie wrote and illustrated the book Eli, No! about her faithful companion’s shenanigans, it all felt very familiar. If I had to write a book about my dog pal, it would be titled LUCY, YEEARRRCHHHH! because that is the pterodactyl noise that I make when she is doing something inappropriate. It’s not the most endearing sound to come from a human, which is why you probably won’t be seeing a sequel from my neck of the woods anytime soon. Instead, I’ll just use Katie’s book to relive Lucy’s less glorious moments.
Just in time for Halloween! Over the weekend my friend Mark and I put the finishing touches on the Goodie Monster: a vending machine filled with healthy, tasty snacks. Not only does it taste good, it looks good too. Check out the full project process and see more pictures of us sewing and painting nonstop to create a green fur-clad monster complete with a mountainous environment where pears fly south for the winter. Read more >>
The Goodie Monster is here! After a good idea, some sweat equity, and a few technical hurdles my friend Mark and I have brought into this world a new kind of vending machine. It looks a little different, and tastes different too.
Mark came to me with the idea of the Goodie Monster in the summer of 2011 and asked if I would help make it real. The goal: to put good food within people’s reach. The location: the Goldsmith Building where we both work. The details: make it the most awesome vending machine ever. I am a voracious snacker and quite interested in food (as evidenced here, here, here, here and here), so I took about 30 seconds to think about it before committing to one of the bigger side projects I’ve done.
Fuzzy type was the first inklings of our Monster-to-be.
After a failed attempt at getting onto Kickstarter, Mark took the plunge and bought a vending machine out-of-pocket. Yes, you can do that. He also researched what kind of snacks to put inside and put together an informational site that has details about each snack in the vending machine. Did you know that Luna Bars were created for women but can be equally enjoyed by self-confident men?
We have big plans for you, boring vending machine...A selection of snacks that the Goodie Monster approves of.
My end of the deal involved giving the machine a personality, which included buying various materials at Fabric Depot, the largest fabric store in the nation. They must see a lot of strange things come and go, but even the ladies at Fabric Depot raised their eyebrows at my purchases. One check-out person saw my 5 pound box of polyfill and commented “Looks like quite the project you have going there”. You have no idea lady, that’s just for the tail of it!
Once we got started, the Goodie Monster took shape pretty quickly. He didn’t really have a lot to say, but he was very excited about snacking. In fact, all he could utter was NOM NOM NOM and point towards his mouth. Very demanding.
The Goodie Monster says it all with buttons.He lives somewhere on the way to Snack Mecca where pears fly south for the winter.
This project was challenging in numerous ways. Mark had never owned or operated a vending machine. I had never sewn 12 yards of fake fur. My sewing machine was from the 1970’s and didn’t like working overtime. Fabric Depot was located in deep Southeast Portland next to some strip clubs. Things could have gone wrong in so many places, but we made it through fairly unscathed. Here are a few pictures showing the process from start to finish, including having our first customers arrive 30 seconds after the Goodie Monster was unveiled. The door wasn’t even closed and they were already clamoring for their Justin’s Nut Butters and Larabars.
Our little corner: AFTER
Our little corner: BEFORE
He lives somewhere on the way to Snack Mecca in a mountainy region where pears fly south for the winter..
The Goodie Monster says it all with buttons.
Fuzzy type was the first inklings of our Monster-to-be.
We have big plans for you, boring vending machine…
Mark and I doing our best “I love what you do for me” jumps. Hurrah!
A selection of snacks that the Goodie Monster approves of.
A selection of snacks that the Goodie Monster approves of.
To announce the Goodie Monster’s arrival, Mark gave each tenant of the Goldsmith Building a small Kind bar with a booklet introducing their new neighbor. Other businesses in the area got a note in the mail that came in a very hungry envelope.
Many people helped us with the Goodie Monster: Darin Richardson who painted and painted and painted, Jen Stevenson who gave us the idea for a GORP recipe card, Jelly who repeatedly yelled WOOHOO and gave constructive feedback, David who owns the Goldsmith and encouraged us to make it happen, and Greg who helped when the Goodie Monster went haywire and started spewing coins and Clif Bars unprompted. To all of you – THANKS!
And since there is nothing more satisfying than a before and after photo…
Our little corner: BEFOREOur little corner: AFTERMark and I doing our best "I love what you do for me" jumps. Hurrah!
Update 11.15.2011: The Goodie Monster gets a four course review by local food writer Jen Stevenson of Under the Table with Jen. With almost 40 courses to choose from it was a tough job, but less filling than your regular Thanksgiving dinner. Read more about our snack sampling.
Update 11.23.2011: The Goodie Monster is now on Facebook! Where else is a vending machine clad in green fur supposed to find friends? We hope you like him.
Update 11.25.2011: Steve Law of the Portland Tribune has written a nice article on the Goodie Monster and vending machine policy for the Thanksgiving issue of the newspaper.
Update 11.29.2011: Portland Pulp wrote a nice blurb about our friend called “The Goodie Monster: The Future of Health Food”. Check it out here.
Update 01.01.2011: Portland’s Chinatown newspaper featured the Goodie Monster as their “employee of the month”. Pretty amazing seeing as the Goodie Monster just sits there and sells snacks with a smile.
Update 01.02.2012: The Goodie Monster gets a mention in Mix Magazine alongside another vending machine makeover case, the Soda Pagoda.
Update 01.27.2012: Making more Goodie Monsters has been accepted as a project for Kickstarter. Plans must now be formulated – stay tuned!
Update 03.31.2012:Portland Monthly Magazine wrote a short article on the Goodie Monster, saying is a vending machine “with more personality than most, or maybe any.” Why yes, it probably is.
Update 04.29.2012: The Goodie Monster Kickstarter campaign has officially started. Help us raise money to make four more Goodie Monsters, which will be the start of creating and sustaining continued growth for the Goodie Monster family. Check our our video and rewards on Kickstarter.
Here is the last of the type and illustration I did for some Keen videos for their Recess is Back site. The work was done through North, a local design/advertising agency. I am more of a black thumb, but I still enjoyed creating this vine-like typography.
Here is the last of the type and illustration I did for some Keen videos for their Recess is Back site. The work was done through North, a local design/advertising agency. I am more of a black thumb, but I still enjoyed creating this vine-like typography.
One of the projects I’ve worked on recently for Jelly Helm Studio was to design the studio’s business cards. Several ideas were sketched out (monograms, pop-up castles, and a series of tableaus, among others), but early in the brainstorming process we decided that simple was better. To support this direction, internet research turned up calling cards from way back when.
Most business cards from days of yore included only the person’s name. Additional notations on the card (in the lower corners) were left for specific reasons and were part of the intricate etiquette system surrounding the calling card, which are detailed in The Gentleman’s Guide to the Calling Card. We took the calling card structure and updated for the 21st century. Done and done.
Simple does it.
The smaller-than-usual cards were letterpress printed by Kyle van Horn of Baltimore Print Studios with a nice deep plum ink on French Muscletone Whip Cream. During the project, Kyle sent us this slip taped to a furniture cabinet at the Baltimore Print Studios.
According to this, Jelly Helm’s business card size (1.75″ x 3″) is somewhere between a Miss and a Mister. According to me, it’s just the right size to carry the information on it.
Other people get cards too.A calling card for the digital era.
