Ever since I participated in the Ben Franklin Print Exchange with local Portland letterpress artists last fall I can’t keep Poor Richard’s Almanac proverbs from popping into my head. When a recent discussion about my thriftiness started getting long in the tooth, my mind wandered into this interpretation of “A Penny Saved is a Penny Earned”. File this under “30-second-designs” for time thrifts.
Check out the full process of raising my hip factor via a mustache-on-a-finger-on-a-stick.
If I’ve learned anything from watching Bones, it’s that the best anthropologists go under cover when studying their subjects. Well, that might be the only thing I’ve learned from watching Bones, but I’ll take what I can get. So when my friend Michael put together a “Keep Portland Beard” art show at the Tribute Gallery, my curious side got the better of me and I decided to investigate.
All the beardiest folk in Portland would be at the show, so I concocted the perfect get-up to blend in. I field tested this accoutrement at the show, which was a slice of Michael’s online journal of beard-related ephemera and reviews.
Once I got there, however, I learned that sporting facial hair is less about actually growing the follicles and more about the attitude (and math can prove it). I had no attitude, and my inflated feeling of hipness quickly wore off until I fled the scene to re-watch “Buffy the Vampire Slayer: The Musical” in an effort to rebalance the scales of normality. Nothing puts a bearded hipster in perspective like a group of singing and dancing vampire killers.
Aside from Michael’s exuberant acceptance of my masquerade, my faux ‘stache was met with hip indifference and a few furrowed brows. Maybe Portland isn’t the place to make a statement with a mustache-on-a-finger-on-a-stick, but I have a feeling this thing will really take off in Idaho.
Update: After a request from Australia to use the mustache-on-a-hand-on-a-stick at a hipster party, I made a template which you can download here.
When friend and food blogger Jen Stevenson of Under the Table wanted to start her own writing business, she came to me asking advice about collateral. She had chosen Wordcake Communications as her business name and needed a logo, business cards and a simple website to get the business going. “I was thinking I could have a big cake, with the word Wordcake on it!” she said, giving me creative rein with a theme. I replied with a somewhat muffled “Let’s see what we can do with that…”, and got to work.
Riffing on the idea of frosting, I found this typography sample in an ornaments and borders book and transformed it into Wordcake.
The idea of a sophisticated take on a “cake on a platter” appealed to me since Jen is the epitome of a hostess with the mostess, even when she is stuffing your gullet with stinky cheeses and sweet confections. However, Jen wasn’t rolling in dough from creative writing (yet), so an economic solution was needed that would still help her stand out. I scoured the internet for an oval punch that could take the place of a diecut. Turns out, crafters have thought of almost everything, so after a bit of sleuthing I found several oval punches, perfect for the miniature platter shape that her business cards would become.
The cards were printed digitally and then hand punched by Jen in about an hour, after which she claimed she’d sprained her thumb. I told her she would have to toughen up, because once The Onion started calling and she had to churn out snarky story upon snarky story in record time, her thumb would have no reprieve.
A while back I helped James Westby, director of Film Geek and The Auteur, put together a trailer site for his new film. Check it out at www.ridofmemovie.com. (Update: looks like the site has since been revised by Bitclone).
Em Space, the local book arts center I’m involved with, put on their first anniversary show recently and asked members to submit a small printed piece so we could send a Petite Print Suite collection as a thank-you to people who had helped the organization in its first year. The theme was “print terminology” and I chose registration (basically, lining up two or more colors when printing, usually using a guide such as a X or dots to align colors). Little did I know that registration would be the least of my worries when producing 100 copies of the bar-4 card.
I chose to do a linoleum cut because 1) I am frugal, 2) I thought it would be easy, and 3) I had waited too long to get a plate made. I settled on my design and started carving away…
To compensate for the dead spot (I like Oregon, it shouldn’t get the shaft because of some printing problems) I used torn newsprint to build up the area underneath the blank spot, so when the paper made contact with the linoleum block the surface receiving ink would be even, thus giving Oregon and the Western US its full due. Continue reading “Registration Print Process”
Stumptown Underground’s 8th Issue “Everybody Do the Robot” is in production, and Book Bot made the cut! Come to the release party Thursday, April 22nd at 8pm at The Fez. Book Bot’s evil cousin, shown here using his books for nefarious purposes, will NOT making be making an appearance. He had to stay home and polish his shoes, because he’s vain like that.
To kick off 2010, my friend Jen Sbragia sent me this super cute card that she made with spraypaint. I tried some spraypainting the other day and it wasn’t that easy. I nearly spraypainted my dog Lucy and definitely got a dry eye out of the ordeal. I think I’ll stick to letterpress.
