After working so ardently on my sketchbook I was a little sad to see it go, but it was also a bit of a relief. I showed it to a few people who I thought would enjoy it before putting it in the mail, never to be seen again. It was a good exercise in doing something for the experience rather than the results.

Behind The Scenes & Making Of

Since I had procrastinated, the first order of business was to halve the number of pages in my Moleskin from 80 to 40 by doing a fake french-fold by double stick taping every other page together. After getting some basic pagination down, I had figured out that each left facing page would be found images from catalogs, stockbooks, etc., and the right facing pages would be accompanying text.

Since I only had one sketchbook and therefore zero room for error, I sketched out most things before drawing or tracing it directly into the sketchbook. Some of the pages I like best (Grandma’s Gun, Boys & Girls, Dreams, A Good Book) were created on the fly with maybe just an outline of something that I then filled in without a plan. The sticky shadow page was inspired by a stint I spent filing at a previous job. After about 3 weeks, I felt like my own head had turned into the very same label maker I was using so diligently to organize an entire room’s worth of documents. I started drawing this poster in memory of what I called File-a-palooza, but never finished it. Here are few more in-progress sketches:

Most of the stock books I had were from Veer or House Industries circa 2003. I used my Whale of a Punch to punch out circles from various pages. The cover circles are from a hand holding a diamond ring, and the back side of the sheet gave me the little pink house on the Dreams page.

If you’re interested in checking out the sketchbook project, the tour dates are listed on their website.